Hualien Stone Sculpture Museum

Hiroyuki Asakawa

Hiroyuki Asakawa
Japan / Male

Hiroyuki Asakawa

Hiroyuki Asakawa

1969-01-01
CV
2018 4th INTERNATIONAL ADANA SCULPTURE SYMPOSIUM 2018 Adana/ TURKEY
2018 3th International Sculpture Symposium –2018 Rishon Lezion / ISRAEL
2018 The 21th International Sculpture Symposium Icheon / REPUBLIC OF KOREA
2017 11. Bildhauer Symposium 2017 / Rheinland - pfalz e. V, GERMANY
2017 The 22nd Aswan International Sculpture Symposium2017 / Aswan, EGYPT
2016 The International Biennial of Sculptures 2016 - Resistencia - / Chaco. ARGENTINA
2016 1˚ INTERNATIONAL SCULPTURE SYMPOSIUM SÃO JOSÉ- 2016 / São José, BRASIL
2015 The International Büyükçekmece Sculpture Symposium / Istanbul, TURKEY
2014 The 7th International Sculpture Symposium PENZA 2014 / Penza, RUSSIA
2012 2012 BenQ International Sculpture Workshop / Hsinchu, TAIWAN
2012 The 2012 Stone Sculpture Triennale of Takamatsu (Encouragement Award) / Takamatsu, JAPAN
2012 The 4th Sculpture Symposium of Tehran / Tehran, IRAN
2011 Hualien International Stone Sculpture Symposium / Hualien, TAIWAN
Introduction
Japanese sculptor Hiroyuki Asakawa said, “I communicate through stone; only through stone can we reach mutual understanding.  Stone is like my child; I make it a sculpture because I wish it to be better.“  He had his first contact with stone sculpture when he was 25.  Then for the following couple of years, he kept exploring and searching for what really appealed to him.  He finally chose stone creation as his career after he had experienced what stone creation really was.
In 2003, he participated in his first stone sculpture symposium in Istanbul.  His first creation was so impressive that he was more assured of his choice in stone sculpture.  Doing stone creation is something comfortable to him because he does not have to particularly pursue the so-called feeling while creating a sculpture.  That attitude in creation is the very feeling he wants.
He has always treated stone like his child because only our child do we treat selflessly.  His attitude towards sculpture is the same as that towards his child for the sake of a better and perfect future for it, which accounts for his holding a paternal mentality for stone sculpture.  As a matter of fact, he has a dream as well as a wish in stone sculpture.  He wishes for people’s communications through stone sculpture.  Only through communication can we reach mutual understanding.  With understanding, we will have no more disputes; with the disputes gone, we will have a peaceful land forever.

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